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Piet Mondrian Oil Painting Reproductions
“The position of the artist is humble. He is essentially a channel.” Piet Mondrian

Mondrian, Piet

Avond Evening, Red Tree

Mondrian, Piet

Blossoming Apple Tree

Mondrian, Piet

Composition A

Mondrian, Piet

Composition No. 11

Mondrian, Piet

Composition No. IV

Mondrian, Piet

Composition No. V

Mondrian, Piet

Composition, 1929

Mondrian, Piet

Dune III

Mondrian, Piet

New York City I

Mondrian, Piet

Tableau I


Piet Mondrian Paintings

Pieter Cornelis (Piet) Mondrian was a Dutch painter. Mondrian was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. Despite being well-known, often-parodied and even trivialized, Mondrian's paintings exhibit a complexity that belies their apparent simplicity. He is best known for his non-representational paintings that he called compositions, consisting of rectangular forms of red, yellow, blue or black, separated by thick, black rectilinear lines. They are the result of a stylistic evolution that occurred over the course of nearly 30 years and continued beyond that point to the end of his life.

He began his career as a teacher in primary education, but while teaching he also practiced painting. Most of his work from this period is naturalistic or impressionistic, consisting largely of landscapes. These pastoral images of his native Holland depict windmills, fields, and rivers, initially in the Dutch Impressionist manner of The Hague School and then in a variety of styles and techniques documenting his search for a personal voice. These paintings are most definitely representational, and illustrate the influence that various artistic movements had on Mondrian, including pointillism and the vivid colors of fauvism. Mondrian's art was always intimately related to his spiritual and philosophical studies. 1908, he became interested in the theosophical movement launched by Helena Petrovna Blavatsky in the late 19th century. Blavatsky believed that it was possible to attain a knowledge of nature more profound than that provided by empirical means, and much of Mondrian's work for the rest of his life was inspired by his search for that spiritual knowledge. Mondrian and his later work were deeply influenced by the 1911 Moderne Kunstkring exhibition of Cubism in Amsterdam.